Kissidugu

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Posts Tagged ‘Women Djembe Drummers’

Djembe Drummers as Ambassadors of Peace

African Musicians are truly ambassadors of peace. I am seeing more and more videos where Master Djembe drummers have gone into other cultures carrying the message of the drum. This is true of the Americas, Canada and Europe who have felt the growing influence of these musicians over the last fifty years. Now I am seeing more videos coming from Asian countries. Here is a video of Aly Traore playing with a group of Japanese drummers. These guys are having so much fun; you just want to jump in and start dancing! Enjoy!

Fatu & Stephan Lockin’ Djembe Chops

Stephan Cole Griffin, the driving force behind the Colorado Black Arts Festival & Fatu Lady Drummer, the Head of the Dragon lock chops on Mandiani at the Black Arts Fest! Look for more from Ujamaa Dancers & Drummers in the near future!

Camp Merveilles Drum & Dance Camp 2011

Event Description:

The 9th Annual Camp Merveilles will be held August 3,4,5,6,7 at the Avalon Ballroom in Boulder, CO. The camp, directed by Fara Tolno will feature local and international talent such as Marietou Camara and Fode Bangora. a minimum of 5 drum & 5 dance classes will be taught each day. Costs: $375 unlimited classes, $175 10 class punch card, $20 drop in fee. Visit http://kissidugu.org to download a detailed class schedule, bet hotel and transportation information. Read the rest of this entry »

Feel the Axe Choreographs to Fatu’s Music

About a couple of weeks ago, I decided that I wanted to teach a Youth Tribe Choreography/Performance class. I knew I was onto something, because my Youth Tribe Training class has some really inspirational dancers in it, and I really wanted the chance to work with them and other, more serious dancers on a deeper level. The Youth Tribe is like a mini-Sol Vida Dance Ensemble as evidenced by Fridays class at 5:30. So far, we only have two students, but these two managed to work in a delightfully, incredible way. We began with a Reggae music warm up, and proceeded to explore the world of Contact Improvisation, we worked with the concept of creating choreography without music–accapella style. Wow! After creating the choreography, I had the girls try it to three different styles of music–dubstep, electronica dance, and African drumming. Ironically enough, the piece which has the ability to go with almost anything, really came out when they did it with Fatu, Lady Drummer‘s African drumming, it was the essence of Fusion dance, as I love it. They played with speed, and worked on creating their own changes to make the choreography fluid–and they did an amazing job, and left class saying “that was so awesome,” making me believe that I may have landed upon one of my dream youth classes of all time.

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Grandmothers of the Drum: Linda Thomas Jones part II

This entry is part 4 of 5 in the series Grandmother's of the Drum

Just before I left college Katherine Dunham came to Cleveland to do some master classes and she brought a drummer with her.  The drummer’s name was Mor Thaim and he was playing a djembe drum. I had never heard or seen a drum like that before.  The sound of the drum made my head swim.  During the 60’s I was the only African American in my college dance class and had never seen live African dance. However, when I danced to the sound of the djembe it was as if I had finally found my true self.  Just before Ms. Dunham left, she called me to her and whispered in my ear the following words.  These are the sounds and movements of your ancestors. I was never the same again.

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