Posts Tagged ‘Yoruba Pantheon’
Morning Internet City!Start your morning with this wonderful salute to Oshun, Orisha of transformation, beauty, and abundance. This piece by New York-based producer Chief Osunlade blends jazz piano, horns and a heavy disco under beat to make this piece rock for the urban Omo Orisha. Not a traditional production of Orisha music, but one very well done . The album; Cantos a Ochun Et Oya (Juan Valentine Re-Edit)” is available through Amazon.com and itunes. Enjoy!
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About a couple of weeks ago, I decided that I wanted to teach a Youth Tribe Choreography/Performance class. I knew I was onto something, because my Youth Tribe Training class has some really inspirational dancers in it, and I really wanted the chance to work with them and other, more serious dancers on a deeper level. The Youth Tribe is like a mini-Sol Vida Dance Ensemble as evidenced by Fridays class at 5:30. So far, we only have two students, but these two managed to work in a delightfully, incredible way. We began with a Reggae music warm up, and proceeded to explore the world of Contact Improvisation, we worked with the concept of creating choreography without music–accapella style. Wow! After creating the choreography, I had the girls try it to three different styles of music–dubstep, electronica dance, and African drumming. Ironically enough, the piece which has the ability to go with almost anything, really came out when they did it with Fatu, Lady Drummer‘s African drumming, it was the essence of Fusion dance, as I love it. They played with speed, and worked on creating their own changes to make the choreography fluid–and they did an amazing job, and left class saying “that was so awesome,” making me believe that I may have landed upon one of my dream youth classes of all time.
Songs for Yemaya are some of the sweetest and melodic in the pantheon of Orisha music. Enjoy this wonderful selection![vsw id="Q1Abm9K8Htk&hl=en " source="youtube" width="416" height="344" autoplay="no"]
Well, many have called and asked why such a heavy article as Magic & Ritual Abuse: Female Circumcision in Central and West Africa and how does this relate to women drummers? The answer must be given in social and cultural context. We wrote earlier on the history of djebe drumming in America, and that the djembe came to popularity in the early to mid 70’s. Many Africans began teaching traditional drumming in the United States and later established drum camps in Africa frequented by many American and European students.